Animated Wallpapers Free Download Biography:
Animation is the rapid display of a sequence of images of 2-D or 3-D artwork or model
positions to create an illusion of movement. The effect is an optical illusion of motion due
to the phenomenon of persistence of vision, and can be created and demonstrated in several
ways. The most common method of presenting animation is as a motion picture or video
program, although there are other methods.
Early examples
Main article: History of animation
Five images sequence from a vase found in Iran
An Egyptian burial chamber mural, approximately 4000 years old, showing wrestlers in action.
Even though this may appear similar to a series of animation drawings, there was no way of
viewing the images in motion. It does, however, indicate the artist's intention of depicting
motion.
Early examples of attempts to capture the phenomenon of motion drawing can be found in
paleolithic cave paintings, where animals are depicted with multiple legs in superimposed
positions, clearly attempting to convey the perception of motion.
A 5,000 year old earthen bowl found in Iran in Shahr-i Sokhta has five images of a goat
painted along the sides. This has been claimed to be an example of early animation. However,
since no equipment existed to show the images in motion, such a series of images cannot be
called animation in a true sense of the word.[1]
A Chinese zoetrope-type device had been invented in 180 AD.[2] The phenakistoscope,
praxinoscope, and the common flip book were early popular animation devices invented during
the 19th century.
These devices produced the appearance of movement from sequential drawings using
technological means, but animation did not really develop much further until the advent of
cinematography.
There is no single person who can be considered the "creator" of film animation, as there
were several people working on projects which could be considered animation at about the
same time.
Georges Méliès was a creator of special-effect films; he was generally one of the first
people to use animation with his technique. He discovered a technique by accident which was
to stop the camera rolling to change something in the scene, and then continue rolling the
film. This idea was later known as stop-motion animation. Méliès discovered this technique
accidentally when his camera broke down while shooting a bus driving by. When he had fixed
the camera, a hearse happened to be passing by just as Méliès restarted rolling the film,
his end result was that he had managed to make a bus transform into a hearse. This was just
one of the great contributors to animation in the early years.
The earliest surviving stop-motion advertising film was an English short by Arthur
Melbourne-Cooper called Matches: An Appeal (1899). Developed for the Bryant and May
Matchsticks company, it involved stop-motion animation of wired-together matches writing a
patriotic call to action on a blackboard.
J. Stuart Blackton was possibly the first American film-maker to use the techniques of
stop-motion and hand-drawn animation. Introduced to film-making by Edison, he pioneered
these concepts at the turn of the 20th century, with his first copyrighted work dated 1900.
Several of his films, among them The Enchanted Drawing (1900) and Humorous Phases of Funny
Faces (1906) were film versions of Blackton's "lightning artist" routine, and utilized
modified versions of Méliès' early stop-motion techniques to make a series of blackboard
drawings appear to move and reshape themselves. 'Humorous Phases of Funny Faces' is
regularly cited as the first true animated film, and Blackton is considered the first true
animator.
Fantasmagorie by Emile Cohl, 1908
Another French artist, Émile Cohl, began drawing cartoon strips and created a film in 1908
called Fantasmagorie. The film largely consisted of a stick figure moving about and
encountering all manner of morphing objects, such as a wine bottle that transforms into a
flower. There were also sections of live action where the animator’s hands would enter the
scene. The film was created by drawing each frame on paper and then shooting each frame onto
negative film, which gave the picture a blackboard look. This makes Fantasmagorie the first
animated film created using what came to be known as traditional (hand-drawn) animation.
Following the successes of Blackton and Cohl, many other artists began experimenting with
animation. One such artist was Winsor McCay, a successful newspaper cartoonist, who created
detailed animations that required a team of artists and painstaking attention for detail.
Each frame was drawn on paper; which invariably required backgrounds and characters to be
redrawn and animated. Among McCay's most noted films are Little Nemo (1911), Gertie the
Dinosaur (1914) and The Sinking of the Lusitania (1918).
The production of animated short films, typically referred to as "cartoons", became an
industry of its own during the 1910s, and cartoon shorts were produced to be shown in movie
theaters. The most successful early animation producer was John Randolph Bray, who, along
with animator Earl Hurd, patented the cel animation process which dominated the animation
industry for the rest of the decade.
El Apóstol (Spanish: "The Apostle") was a 1917 Argentine animated film utilizing cutout
animation, and the world's first animated feature film.
Animated Wallpapers Free Downloadpositions to create an illusion of movement. The effect is an optical illusion of motion due
to the phenomenon of persistence of vision, and can be created and demonstrated in several
ways. The most common method of presenting animation is as a motion picture or video
program, although there are other methods.
Early examples
Main article: History of animation
Five images sequence from a vase found in Iran
An Egyptian burial chamber mural, approximately 4000 years old, showing wrestlers in action.
Even though this may appear similar to a series of animation drawings, there was no way of
viewing the images in motion. It does, however, indicate the artist's intention of depicting
motion.
Early examples of attempts to capture the phenomenon of motion drawing can be found in
paleolithic cave paintings, where animals are depicted with multiple legs in superimposed
positions, clearly attempting to convey the perception of motion.
A 5,000 year old earthen bowl found in Iran in Shahr-i Sokhta has five images of a goat
painted along the sides. This has been claimed to be an example of early animation. However,
since no equipment existed to show the images in motion, such a series of images cannot be
called animation in a true sense of the word.[1]
A Chinese zoetrope-type device had been invented in 180 AD.[2] The phenakistoscope,
praxinoscope, and the common flip book were early popular animation devices invented during
the 19th century.
These devices produced the appearance of movement from sequential drawings using
technological means, but animation did not really develop much further until the advent of
cinematography.
There is no single person who can be considered the "creator" of film animation, as there
were several people working on projects which could be considered animation at about the
same time.
Georges Méliès was a creator of special-effect films; he was generally one of the first
people to use animation with his technique. He discovered a technique by accident which was
to stop the camera rolling to change something in the scene, and then continue rolling the
film. This idea was later known as stop-motion animation. Méliès discovered this technique
accidentally when his camera broke down while shooting a bus driving by. When he had fixed
the camera, a hearse happened to be passing by just as Méliès restarted rolling the film,
his end result was that he had managed to make a bus transform into a hearse. This was just
one of the great contributors to animation in the early years.
The earliest surviving stop-motion advertising film was an English short by Arthur
Melbourne-Cooper called Matches: An Appeal (1899). Developed for the Bryant and May
Matchsticks company, it involved stop-motion animation of wired-together matches writing a
patriotic call to action on a blackboard.
J. Stuart Blackton was possibly the first American film-maker to use the techniques of
stop-motion and hand-drawn animation. Introduced to film-making by Edison, he pioneered
these concepts at the turn of the 20th century, with his first copyrighted work dated 1900.
Several of his films, among them The Enchanted Drawing (1900) and Humorous Phases of Funny
Faces (1906) were film versions of Blackton's "lightning artist" routine, and utilized
modified versions of Méliès' early stop-motion techniques to make a series of blackboard
drawings appear to move and reshape themselves. 'Humorous Phases of Funny Faces' is
regularly cited as the first true animated film, and Blackton is considered the first true
animator.
Fantasmagorie by Emile Cohl, 1908
Another French artist, Émile Cohl, began drawing cartoon strips and created a film in 1908
called Fantasmagorie. The film largely consisted of a stick figure moving about and
encountering all manner of morphing objects, such as a wine bottle that transforms into a
flower. There were also sections of live action where the animator’s hands would enter the
scene. The film was created by drawing each frame on paper and then shooting each frame onto
negative film, which gave the picture a blackboard look. This makes Fantasmagorie the first
animated film created using what came to be known as traditional (hand-drawn) animation.
Following the successes of Blackton and Cohl, many other artists began experimenting with
animation. One such artist was Winsor McCay, a successful newspaper cartoonist, who created
detailed animations that required a team of artists and painstaking attention for detail.
Each frame was drawn on paper; which invariably required backgrounds and characters to be
redrawn and animated. Among McCay's most noted films are Little Nemo (1911), Gertie the
Dinosaur (1914) and The Sinking of the Lusitania (1918).
The production of animated short films, typically referred to as "cartoons", became an
industry of its own during the 1910s, and cartoon shorts were produced to be shown in movie
theaters. The most successful early animation producer was John Randolph Bray, who, along
with animator Earl Hurd, patented the cel animation process which dominated the animation
industry for the rest of the decade.
El Apóstol (Spanish: "The Apostle") was a 1917 Argentine animated film utilizing cutout
animation, and the world's first animated feature film.
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpapers Free Download
Animated Wallpaper Maker 2.4.0 Incl. Serial -- FREE DOWNLOAD
Animated Wallpapers Free Download
Free Phone Animated Screensavers, Wallpapers and Backgrounds
Animated Wallpapers Free Download
Animated Wallpaper Maker 3.1.0 Portable
Animated Wallpapers Free Download
A-Desk : Animated Desktop Wallpaper Ubuntu
Animated Wallpapers Free Download
No comments:
Post a Comment