Love Animated Wallpaper Biography:
Welcome to the Beautiful Love What you should know about ordering Elefun Wallpapers and Screensavers: Payment information safety are ensured by RegNow - one of the most reliable systems of registration, ordering and payment over the Web. RegNow is a company with a world-wide reputation. It processes transactions in all basic currencies (USD, Pound Sterling, Euro) and supports various forms of payment (all major types of credit cards, bank transfer, check, invoice, GIRO settlements). 30 Days money back guarantee. We guarantee that within 30 days since the purchase the money will be returned to clients dissatisfied with our product. Don Bluth loves animation. Unlike the early animators who were largely artists who went into animation because it was steady work, and many of the artists today who are fans and have a "gosh wow" approach to the craft, Don has a deep serious love for the art form. This comes across when he talks. His quiet and somewhat humble mannerisms often hide a fierce spirit and drive not found in many.
Born on September 13, 1937, the second oldest of seven children, Don Bluth spent his earliest years in El Paso Texas. His parents were Emalinee Pratt and Virgil Bluth, then a policeman and later a private investigator. Don is a direct descendant of Pocahontas, the Indian princess who saved Pilgrim John Smith.
When he was six, the family moved to Payson, Utah where he lived on the family farm. Bluth remembered that time as, "milking 24 cows morning and night and singing Disney songs." Even then he was "honestly dreaming of working" at the Disney studio.
Bluth's initial experience with Disney was as a member of the audience at age seven. Don remembered the effect it had on him. "The first one was SNOW WHITE. I was extremely impressed with it and when I got home I tried to draw Snow White, the dwarfs, all of them."
"I'd ride my horse to the movie house in town and tie him to a tree while I went in and watched the latest Disney film. Then I'd go home and copy every Disney comic book I could find."
In 1954, the family moved to Santa Monica California. He was a senior at high school. After a year at Brigham Young University, in Utah, he brought a portfolio to the Disney studio in Burbank. He was immediately hired in 1955 as an assistant animator and put to work on SLEEPING BEAUTY. He worked as an assistant to John Lounsberry. Oddly after finally realizing his dream he left in 1957, after only two years.
"I left, I think, because I found it kind of boring. I didn't want to do it," recalled Don.
Don then embarked on a mission for the Mormon Church to Argentina. After two-and-a-half years, he returned to Los Angeles, but not to a career in animation. Though he worked at Disney as an assistant on THE SWORD IN THE STONE for around a year, his main efforts were in live theater.
He opened the Bluth Brothers Theater with his younger brother Fred in an old supermarket in Culver City. They produced musical plays with local talent for two to three years. The shows included such traditional favorites as THE MUSIC MAN and THE SOUND OF MUSIC. Often Don was the musician, playing the piano. One attendee stated it was like an old movie musical where kids decide to put a show on in a barn.
Welcome to the Beautiful Love What you should know about ordering Elefun Wallpapers and Screensavers: Payment information safety are ensured by RegNow - one of the most reliable systems of registration, ordering and payment over the Web. RegNow is a company with a world-wide reputation. It processes transactions in all basic currencies (USD, Pound Sterling, Euro) and supports various forms of payment (all major types of credit cards, bank transfer, check, invoice, GIRO settlements). 30 Days money back guarantee. We guarantee that within 30 days since the purchase the money will be returned to clients dissatisfied with our product. Don Bluth loves animation. Unlike the early animators who were largely artists who went into animation because it was steady work, and many of the artists today who are fans and have a "gosh wow" approach to the craft, Don has a deep serious love for the art form. This comes across when he talks. His quiet and somewhat humble mannerisms often hide a fierce spirit and drive not found in many.
Born on September 13, 1937, the second oldest of seven children, Don Bluth spent his earliest years in El Paso Texas. His parents were Emalinee Pratt and Virgil Bluth, then a policeman and later a private investigator. Don is a direct descendant of Pocahontas, the Indian princess who saved Pilgrim John Smith.
When he was six, the family moved to Payson, Utah where he lived on the family farm. Bluth remembered that time as, "milking 24 cows morning and night and singing Disney songs." Even then he was "honestly dreaming of working" at the Disney studio.
Bluth's initial experience with Disney was as a member of the audience at age seven. Don remembered the effect it had on him. "The first one was SNOW WHITE. I was extremely impressed with it and when I got home I tried to draw Snow White, the dwarfs, all of them."
"I'd ride my horse to the movie house in town and tie him to a tree while I went in and watched the latest Disney film. Then I'd go home and copy every Disney comic book I could find."
In 1954, the family moved to Santa Monica California. He was a senior at high school. After a year at Brigham Young University, in Utah, he brought a portfolio to the Disney studio in Burbank. He was immediately hired in 1955 as an assistant animator and put to work on SLEEPING BEAUTY. He worked as an assistant to John Lounsberry. Oddly after finally realizing his dream he left in 1957, after only two years.
"I left, I think, because I found it kind of boring. I didn't want to do it," recalled Don.
Don then embarked on a mission for the Mormon Church to Argentina. After two-and-a-half years, he returned to Los Angeles, but not to a career in animation. Though he worked at Disney as an assistant on THE SWORD IN THE STONE for around a year, his main efforts were in live theater.
He opened the Bluth Brothers Theater with his younger brother Fred in an old supermarket in Culver City. They produced musical plays with local talent for two to three years. The shows included such traditional favorites as THE MUSIC MAN and THE SOUND OF MUSIC. Often Don was the musician, playing the piano. One attendee stated it was like an old movie musical where kids decide to put a show on in a barn.
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